22°14'26.6"N 113°58'22.7"E
2025
41 x 28 x 3 cm
Theme: SE Great Mormon Butterfly.
Moulded salvaged debris plastic canvas bag collected from Pui O beach, Lantau Island, Hong Kong, resin, and Chinese rice paper, utilising traditional Chinese mounting process and adhesive. A wood frame is secured behind the structure to float the work off the wall. The piece was developed by creating the repurposed trash canvas and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with surface protectant matte varnish, isolation coat, and UV protectant varnish.
22°14'37.8"N 113°58'44.5"E
2025
54 x 96 x 3 cm
Theme: Seagulls.
Moulded salvaged debris plastic canvas bag collected from Pui O beach, Lantau Island, Hong Kong, resin, and Chinese rice paper, utilising traditional Chinese mounting process and adhesive. A wood frame is secured behind the structure to float the work off the wall. The piece was developed by creating the repurposed trash canvas and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with surface protectant matte varnish, isolation coat, and UV protectant varnish.
22°14'37.0"N 113°58'46.2"E
2025
57 x 40 x 7 cm
Theme: SE Asian Great Mormon Butterfly.
Moulded salvaged debris plastic canvas bag collected from Garden Plus Farm, Lantau Island, Hong Kong, resin, and Chinese rice paper, utilising traditional Chinese mounting process and adhesive. A wood frame is secured behind the structure to float the work off the wall. The piece was developed by creating the repurposed trash canvas and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with surface protectant matte varnish, isolation coat, and UV protectant varnish.
22°14'20.9"N 113°58'41.9"E
2025
42 x 28 x 3 cm
Theme: SE Great Mormon Butterfly.
Moulded salvaged debris plastic canvas bag collected from Pui O beach, Lantau Island, Hong Kong, resin, and Chinese rice paper, utilising traditional Chinese mounting process and adhesive. A wood frame is secured behind the structure to float the work off the wall. The piece was developed by creating the repurposed trash canvas and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with surface protectant matte varnish, isolation coat, and UV protectant varnish.
22°15'48.0"N 114°00'08.7"E
2025
85 x 146 x 14 cm
Theme: Sparrow.
Moulded recycled plastic canvas farm bag, resin, and Chinese rice paper utilising traditional Chinese mounting process and adhesive. Wood frame secured behind fiberglass structure to float the work off the wall. The piece was developed by creating a structure in fibreglass and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with surface protectant matte varnish, isolation coat, and UV protectant varnish.
22°15'48.5"N 114°00'11.7"E
2025
73 x 98 x 10 cm
Theme: Sparrow.
Moulded recycled plastic canvas farm bag, resin, and Chinese rice paper utilising traditional Chinese mounting process and adhesive. Wood frame secured behind fiberglass structure to float the work off the wall. The piece was developed by creating a structure in fibreglass and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with surface protectant matte varnish, isolation coat, and UV protectant varnish.
22°14'25.5"N 113°58'26.5"E
2025
35 x 31 x 3 cm
Theme: Goldfish.
Moulded salvaged debris plastic canvas bag collected from Pui O beach, Lantau Island, Hong Kong, resin, and Chinese rice paper, utilising traditional Chinese mounting process and adhesive. A wood frame is secured behind the structure to float the work off the wall. The piece was developed by creating the repurposed trash canvas and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with surface protectant matte varnish, isolation coat, and UV protectant varnish.
22°14'24.4"N 113°58'30.9"E
2025
49 x 32 x 3 cm
Theme: Koi Fish.
Moulded salvaged debris plastic canvas bag collected from Pui O beach, Lantau Island, Hong Kong, resin, and Chinese rice paper, utilising traditional Chinese mounting process and adhesive. A wood frame is secured behind the structure to float the work off the wall. The piece was developed by creating the repurposed trash canvas and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with surface protectant matte varnish, isolation coat, and UV protectant varnish.
22°14'25.3"N 113°58'29.0"E
2025
30 x 22 x 3 cm
Theme: Goldfish.
Moulded salvaged debris plastic canvas bag collected from Pui O beach, Lantau Island, Hong Kong, resin, and Chinese rice paper, utilising traditional Chinese mounting process and adhesive. A wood frame is secured behind the structure to float the work off the wall. The piece was developed by creating the repurposed trash canvas and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with surface protectant matte varnish, isolation coat, and UV protectant varnish.
22°14'26.3"N 113°58'23.6"E
2025
39 x 27 x 3 cm
Theme: SE Asian Great Mormon Butterfly.
Moulded salvaged debris plastic canvas bag collected from Pui O beach, Lantau Island, Hong Kong, resin, and Chinese rice paper, utilising traditional Chinese mounting process and adhesive. A wood frame is secured behind the structure to float the work off the wall. The piece was developed by creating the repurposed trash canvas and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with surface protectant matte varnish, isolation coat, and UV protectant varnish.
22°14'25.9"N 113°58'25.1"E
2025
48 x 40 x 3 cm
Theme: Koi Fish.
Moulded salvaged debris plastic canvas bag collected from Pui O beach, Lantau Island, Hong Kong , resin, and Chinese rice paper utilising traditional Chinese mounting process and adhesive. A wood frame is secured behind the structure to float the work off the wall. The piece was developed by creating the repurposed trash canvas and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with surface protectant matte varnish, isolation coat, and UV protectant varnish.
22°14'20.0"N 113°58'43.8"E
2025
41 x 28 x 3 cm
Theme: SE Great Mormon Butterfly.
Moulded salvaged debris plastic canvas bag collected from Pui O beach, Lantau Island, Hong Kong, resin, and Chinese rice paper, utilising traditional Chinese mounting process and adhesive. A wood frame is secured behind the structure to float the work off the wall. The piece was developed by creating the repurposed trash canvas and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with surface protectant matte varnish, isolation coat, and UV protectant varnish.
22°24'00.3"N 114°12'17.2"E
2024
67 x 54 x 8 cm
Theme: Sparrow
Moulded fiberglass, resin, and Chinese rice paper utilising traditional Chinese mounting process and adhesive. Wood frame secured behind fiberglass structure to float the work off the wall. Piece developed by creating a structure in fiberglass and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with a UV and surface protectant matte varnish over the paint.
22°24'29.3"N 114°20'38.4"E
2024
Artaflo Gallery, Hong Kong
61cm x 34cm x 5.5 cm depth
Theme/Inspiration: Hong Kong Blue Spotted Crow Butterfly
Moulded fiberglass, resin, and Chinese rice paper utilising traditional Chinese mounting process and adhesive. Wood frame secured behind fiberglass structure to float the work off the wall. Piece developed by creating a structure in fiberglass and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with a UV and surface protectant matte varnish over the paint.
22°14'25.3"N 113°58'26.3"E
2025
31 x 18 x 3 cm
Theme: Goldfish.
Moulded salvaged debris plastic canvas bag collected from Pui O beach, Lantau Island, Hong Kong, resin, and Chinese rice paper, utilising traditional Chinese mounting process and adhesive. A wood frame is secured behind the structure to float the work off the wall. The piece was developed by creating the repurposed trash canvas and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with surface protectant matte varnish, isolation coat, and UV protectant varnish.
22°14'25.6"N 113°58'27.5"E
2025
31 x 19 x 3 cm
Theme: Goldfish.
Moulded salvaged debris plastic canvas bag collected from Pui O beach, Lantau Island, Hong Kong, resin, and Chinese rice paper, utilising traditional Chinese mounting process and adhesive. A wood frame is secured behind the structure to float the work off the wall. The piece was developed by creating the repurposed trash canvas and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with surface protectant matte varnish, isolation coat, and UV protectant varnish.
22°15'48.1"N 114°00'06.6"E
2025
Soapbox Arts, Vermont, USA
90 x 29 x 5 cm
Theme/Inspiration: Chinese Cormorant
Guilin/Southern China Cormorant. Moulded recycled plastic canvas farm bag, resin, and Chinese rice paper utilising traditional Chinese mounting process and adhesive. Wood frame secured behind canvas structure to float the work off the wall.
22°13'23.0"N 113°53'40.2"E
2024
Artaflo Gallery, Hong Kong—Sold
58cm x 83cm x 4 cm depth
Theme/Inspiration: Lantau Common Mormon Butterfly
Moulded fiberglass, resin, and Chinese rice paper utilising traditional Chinese mounting process and adhesive. Wood frame secured behind fiberglass structure to float the work off the wall. Piece developed by creating a structure in fiberglass and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with a UV and surface protectant matte varnish over the paint.
2024
Personal Collection, Hong Kong
Theme/Inspiration: Hong Kong Sparrows
Moulded fiberglass, resin, and Chinese rice paper utilising traditional Chinese mounting process and adhesive. Wood frame secured behind fiberglass structure to float the work off the wall. Piece developed by creating a structure in fiberglass and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with a UV and surface protectant matte varnish over the paint. Work has multiple indentations and sculptural elements.
22°23'50.9"N 114°19'10.3"E
2024
Personal Collection, Hong Kong
57cm x 84cm x 10 cm depth
Lantau, Hong Kong Glassy Tiger Butterfly
Sculpture of moulded fiberglass, resin, and Chinese rice paper utilising traditional Chinese mounting process and adhesive. Wood frame secured behind fiberglass structure to float the work off the wall. Piece developed by creating a structure in fiberglass and resin first, pouring out from a central "hole" or recessed portion, which is primed and prepared for the rice paper immersion on top. Work treated with a UV and surface protectant matte varnish over the paint.
22°13'36.2"N 113°54'56.5"E
2024,
Artaflo Gallery, Hong Kong
35cm x 36cm x 2.5 cm depth
Theme/Inspiration: Lantau, Hong Kong Swallowtail Butterfly
3 Panel Triptych of moulded fiberglass, resin, and Chinese rice paper utilising traditional Chinese mounting process and adhesive. Wood frames secured behind fiberglass structure to float the works off the wall. Pieces are developed by creating a structure in fiberglass and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with a UV and surface protectant matte varnish over the paint.
22°17'19.2"N 113°58'51.1"E
2024
Artaflo Gallery, Hong Kong
95cm x 40cm x 10 cm depth
Moulded fiberglass, resin, and Chinese rice paper utilising traditional Chinese mounting process and adhesive. Wood frame secured behind fiberglass structure to float the work off the wall. Piece developed by creating a structure in fiberglass and resin first, which is primed and prepared for the rice paper immersion on top. Work treated with a UV and surface protectant matte varnish over the paint.
44°14'51.3"N 73°08'29.1"W
2024
Personal Collection, Hong Kong
103cm x 25cm x 3 cm depth (x2)
2 Panel Diptych of moulded fiberglass, resin, and Chinese rice paper utilising traditional Chinese mounting process and adhesive. Wood frames secured behind fiberglass structure to float the works off the wall. Pieces are developed by creating a structure in fiberglass and resin first, which is primed and prepared for the rice paper immersion on top. Pieces may be sold separately or as one larger piece. Work treated with a UV and surface protectant matte varnish over the paint.
44°18'12.4"N 73°13'36.4"W
2024
Artaflo Gallery, Hong Kong
65cm x 44cm x 2.5cm depth
3 Panel Triptych of moulded fiber glass, resin, and Chinese rice paper utilising traditional Chinese mounting process and adhesive. Wood frames secured behind fiberglass structure to float the works off the wall. Pieces are developed by creating a structure in fiber-glass and resin first, which is primed and prepared for the rice paper immersion on top. Pieces may be sold separately or as one larger piece. Work treated with a UV and surface protectant matte varnish over the paint.
22°27'26.8"N 114°11'38.8"E
2024
Artaflo Gallery, Hong Kong
72cm x 24cm x 5.5 cm depth
Theme/Inspiration: Hong Kong Red Billed Blue Magpie
Sculpture of moulded fiberglass, resin, and Chinese rice paper utilising traditional Chinese mounting process and adhesive. Wood frame secured behind fiberglass structure to float the work off the wall. Piece developed by creating a structure in fiberglass and resin first, pouring out from upper exposed frame or recessed portion, which is primed and prepared for the rice paper immersion on top. Work treated with a UV and surface protectant matte varnish over the paint.
